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In 2015, became the very first trans human being to acquire the Tiradentes Medal — the best award issued by the Legislative Assembly of Rio — for her perform while in the favelas.

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In this, their get the job done finds an accomplice in Claudia Rodríguez, whose rejection of condition normativity also seeks out new territories, new erotic zones by which the travesti body relates to signify as monstrous.

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“furia travesti.” Although their more recent cultural manufacturing has concerned the vindication of a transversal politics of marginal subjectivities, it really is in Reference ShockShock’s 2011 publication of Poemario trans pirado

omnipresent possibility with the travesti system. This snapshot features a dual point of view: the image of a man who returns the glance in the travesti, but only to determine that her human body is in peril.

is Consequently to hunt a new “zone of independence,” one that defies the logics of bureaucratic containment via the condition.

Although Shock often appeals to the beauty of monstrosity—the shimmering opportunities with the hummingbird—Claudia Rodríguez, in distinction, appeals to monstrosity’s darker, grotesque side,

The travesti as monster becomes a means of corporeal dissidence that challenges the symbolic and political get as a parody with the social agreement plus a critique from the Wrong assure of condition-sanctioned protections for marginalized topics. In this manner, the monster resists normativity since it exposes the fallacy of neoliberal citizenship.